CN 11-5366/S     ISSN 1673-1530
“风景园林,不只是一本期刊。”

遗产之镜——城市更新中后工业景观的3种历史观念

Mirror of Heritage: Three Historical Concepts in Urban Renewal of Post-Industrial Landscape

  • 摘要:
    目的 尽管后工业景观的价值维度和保护理念在当前研究和实践中被不断深化,但后工业景观在城市更新中所蕴含的历史观念,亟须在理论层面深入探讨。
    分析 基于20多年来有关后工业景观的设计实践,就其中蕴含的历史观念进行总结。以雅克·朗西埃3种历史“诗学”的表现形式为基点,解析出“对象物”“整体形象”“即临景观”3种历史观念,在后工业景观设计实践中,通过具体景观实践分别以“符号生成”“现实增强”“场所氛围”的方式实现对当代历史的景观建构。
    结论 这3种历史观念伴随后现代景观的形成而产生,并形成了相对稳定的历史阐释和价值建构范式,对后工业景观的设计实践产生了持久的影响。

     

    Abstract:
    Objective Although the value dimension and conservation concept of post-industrial landscape have been deepened in current research and practice, the historical concept thereof in urban renovation has not been deeply explored. In the process of guiding the renovation of industrial heritage landscape design in the post-industrial era, the concept of history, as the core value running through the renewal process, treats industrial heritage as both a historical object for analysis and value interpretation and an element to participate in the contemporary purpose of completing historical construction. Therefore, it is of great significance to analyze how historical concepts influence design decisions in landscape renewal cases and throughout the design process, which is crucial for understanding the design methods and design practice of post-industrial landscape.
    Progress Through analyzing the design practice of post-industrial landscape more than 20 years, this research summarizes the historical concepts contained in the post-industrial landscape. Based on the expression of Jacques Rancière's three historical "poetics", the research investigates the historical concepts embodied in several post-industrial landscape design cases centering around the historical images displayed by the three historical "poetics" just mentioned, so as to analyze the three historical concepts of "object", "general form" and "instant landscape". Based on the design practice of the post-industrial landscape, the research realizes the landscape construction of contemporary history through specific landscape practice in the way of "symbol generation", "augmented reality" and "site atmosphere". The aforesaid three historical concepts affect the early design decisions and development trends in the renewal of post-industrial landscape, and occupy a strong value dominance in the design process, while at the final presentation level of design practice, the instant interaction in the construction of landscape renewal itself is manifested as the dissolution and retreat of history.
    Conclusion Emerging with the formation of postmodern landscape, the three historical concepts have formed a relatively stable paradigm for historical interpretation and value construction in design practice, which has a lasting impact on the design practice of post-industrial landscape.

     

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